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unpensadoranonimo:

"Una mentira repetida mil veces se vuelve verdad" es una frase famosa del ministro de propaganda de la Alemania nazi, Joseph Goebbels. Y así fue, la mentira se convirtió en parte de sí mismo y del sistema al que servía. Vea más en nuestro documental: ‘Goebbels, el rey de las mentiras’.

Un reportaje de Rusia Today

(vía pacienciaras)

12 notas

(Fuente: terranosollos)

9 notas

(Fuente: afterthesmoke, vía thecoreoftheapple)

2 275 notas

thepalestineyoudontknow:

A woman in her destroyed street makes a defiant victory sign after a heavy night of shelling in Gaza. / by Lewis Whyld.

thepalestineyoudontknow:

A woman in her destroyed street makes a defiant victory sign after a heavy night of shelling in Gaza. / by Lewis Whyld.

(vía thecoreoftheapple)

(Fuente: manextreme)

172 notas

(Fuente: artigo-de-rua, vía amarcomoamaumblack)

14 312 notas

#AllwaysAntifa

#AllwaysAntifa

0 notas

robeblog:

En esta versión del mago de OZ

robeblog:

En esta versión del mago de OZ

(Fuente: asivahispania)

79 notas

(Fuente: poetaexilado)

20 notas

(Fuente: violenthippie-1991)

187 notas

theunderestimator:

Paul Simonon & Mick Jones of The Clash, Glen Matlock of The Sex Pistols & members of Steel Pulse demonstrating outside National Front Leader Martin Webster’s house in 1977 (photographed by Caroline Coon).
"Wedlock In Dreadlock": The punk & reggae connection weekly tribute (pt 6)

"…Black and white unite in staging an anti-racism demonstration outside the headquarters of the National Front in early 1977. The protest, a year before the Rock Against Racism concert in Victoria Park, united white punk with black roots reggae.  The two genres of music were booming in the UK at this time. A combination of huge cuts in welfare by a Labour Government under pressure, wage freezes and mass unemployment, along with the uninspiring glam rock and disco that dominated the radio during the mid 1970s, proved to be the perfect breeding ground for the political and religious messages of punk and roots reggae…”
(via)

(More stuff on "Wedlock In Dreadlock": The punk & reggae connection weekly tribute, here)

theunderestimator:

Paul Simonon & Mick Jones of The Clash, Glen Matlock of The Sex Pistols & members of Steel Pulse demonstrating outside National Front Leader Martin Webster’s house in 1977 (photographed by Caroline Coon).

"Wedlock In Dreadlock": The punk & reggae connection weekly tribute (pt 6)

"…Black and white unite in staging an anti-racism demonstration outside the headquarters of the National Front in early 1977. The protest, a year before the Rock Against Racism concert in Victoria Park, united white punk with black roots reggae.

The two genres of music were booming in the UK at this time. A combination of huge cuts in welfare by a Labour Government under pressure, wage freezes and mass unemployment, along with the uninspiring glam rock and disco that dominated the radio during the mid 1970s, proved to be the perfect breeding ground for the political and religious messages of punk and roots reggae…”

(via)

(More stuff on "Wedlock In Dreadlock": The punk & reggae connection weekly tribute, here)

(vía esteparialibertaria)

324 notas

deixa que veñan

deixa que veñan

0 notas

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